Ilium Essay Sample
Dan Simmons exercises precisely no coercion in his imagination. He dwells on the ‘quantum’ people with bravery of one of his benevolent Achaean warriors and the likeliness of a post human future in a unique way (Simmons, 37). The story is estimated to be a little above two thousand years in future. Altruism is also considered to be all gone. Couple of members belonging to the human race have gradually developed into post humans, taking up sanctuaries in artificial allover the Earth. Some humans of ‘old style’ still remain but in a sparse population with lifespan precisely set to be one century after which eventually they are expected to rise to the rings and evolve into post humans themselves.
The three pulse points mainly driving this story forward reflects a combination of three elements as explored by the author and these include’ Clarke’s law which is a modestly elevated technology which is inseparable from magic, elevated post-singularity intelligences and precise world-building. The idea that an abundantly powerful creative procedure can have very significant effects is just hinted but not clearly reflected. The above elements amounts the storyline to three main plot threads.
To begin with, there is a 20th century classics professor who is mentioned to be from the American Midwest and is following the pantheon of Greek ‘gods/ and following the blockade of Troy by the Greeks. He is known as Thomas Hockenberry. Hockenberry questions if the gods he serve are of true divine nature and principles and later makes an assumption that they are merely beings of brimming abstruse advancement. Hockenberry is fundamentally reporting on the blockade of Troy, which is shaping quite nearer to Homer’s narrative, until occurrences and Hockenberry cogitate to knock things off the track. As we continue we meet Hector, Achilles and Helen along with a team of characters considered to be both human and god from the Iliad.
There is a massive community of Moravecs who exhibit traits of slightly-above-human intelligence and moderately elevated but not godlike technology. With reference to the five moons of Jupiter, Mahnmut and three other Moravecs are adumbrated by their rendition of authorities to discover some queer quantum activities on mars (Thompsons, 1). The Moravecs are the basic edification of the outer system and have limited knowledge of events in-system. The remaining ‘old-style’ humans on Earth have lost contact and the ‘post-humans’ seems to have vanished. Mahmut and his audacious travelers are sent scrambling across the system where they experience a momentous assignation with mars. Majority of the Moravecs have a powerful charisma with human cultures of lost Earth.
Mahnmut is appealed by the limericks of Shakespeare. His literary ally is a massive grump-shaped robot named Orphu of Io. He is known to be a proud enthusiast. Mahnmut and Orphu are engaged in a lengthy dialogue which although seems extraneous. There are emergences of primary concerns which wrap into the plot more considerably later in the series. The third plot mentions Daemon, who is one of the very sparse ‘old-style’ humans living on Earth in extreme leisure (Jonas, 2). His every requirement is organized by the technological servitor. Human life has changed in a depraved and debauched manner that results to the ‘old-style’ not understanding the technology that serves them.
An example is their inability to read. Finally Daemon gets lured into the ideology of an aggressive young woman seeking adventure, an older man questing for lost knowledge and the gallivant law from which they begin to concur with characters from Shakespeare’s the tempest. The script sounds stranger than it is: at first it is basically a sci-fi epic with some precise analysis features. The exploration of the issue of human-scale intrepidity in a post human world to a degree in each thread shows how the three plots have been outlined in an orderly and comprehensive sequence. The universe of Ilium is considerably captivating. There is a lot of frail pseudoscience and raises a sense of wonder at almost every theme. One of the most exasperating parts of the book is Simmons’s attempt at culture. On observing the two Jupiter robots, and a considerable proportion of their dialogue, In the large voluminous space opera that he contemplatively referred to as the ‘’Hyperion Cantos’’ (Thompson, 1).
Dan Simmons not only came up with a global acculturation of logical complexity and placed characters whose fate came to our concern. The book takes a more comical approach to single page apocalypse. Once again the consistency of the universe is derailed by the negatively considered use of godlike powers. This threat of negativity emerges from beings that precisely cloak themselves in disguise of the Greek gods. (Jonas, 2) Manipulative devices of unknown provenance have been put to place a base on Mount Olympos. This is in essence not the mythical abode persistence of Zeus et al but the authentic volcano on mars which was the tallest mountain in the solar system. By the ideology of the super-scientific advancement referred to as ‘quantum reporting’ these self opinionated gods can circumnavigate in time and space at will. For reasons never understood, they have opted for the choice to observe and intervene in the same plague of Troy that Homer wrote about.
According to Thompson (1), The novel begins with a Trojan war in its first decade referred to as the period of Iliad. As narrated by Thomas Hockeberry, a classical scholar who has been rebuilt from DNA by the Greek gods who needs the humans likes the latter to monitor the war and give back the report. The gods have no idea how the Iliad came to an end and are not allowed to access such information. Hocknberry then starts to recollect his past to avoid being used and to surrogate the course of the war. In the meantime, back on Earth, there is a little more sophisticated society different from that of the Eloi. The few thousand of beings left well-heeled, in age groups of a hundred, going through different parties .frequented by technological servitors and transcendental beings known as Voynix.
In a period of every twenty years, they took to the firmary for repairs so that they can live healthy and eternal lives. Incase they join the ‘post-humans’ in their city. Since they have no culture, they can neither create nor read. Most of these individuals go to the extent of finding out what is going on an orbit and get more than what is required of them.(Simmons, 37) On the moons of Jupiter, a society of biomechanical entities left there in a long period of time by the ‘post-humans’..They had noticed a very mysterious occurrence on the mars, something that had the ability of getting rid of all the life and therefore sent a group to carry out some investigation. From the above, it is notable that Simmons takes caution to craft each character carefully from the young lad who enjoys his parties and creature luxuries who end up liberating the day to the two Moravecs who have a paroxysm for Terran dissertation. This mainly dwells on Shakespeare and Proust alone on mars and trying to undertake their operation despite the abhorrent causalities and the uncertainty of getting home.
The author has also captured an appealing and believable portrayal of the Trojan females of the Iliad; Cassandra, Hecuba, Andromache and Theano. They are all indicated as robust ladies. In Ilium (Jonas, 2) one of the greatest fundamental themes in western cannon is clearly reflected. The battle of Troy, complete with blood and flesh and all the Greek paladins, both minor and major. Hockenberry is not a joyful camper, but his main purpose was to chronicle the war and the oppressive masquerading of men and gods. This is one of the three tales which seem to run concurrently at first and then integrate gradually as this slumping novel progress. The second theme involved the ‘old-style’ humans, who reside in a sparse edenic planet Earth. Daemon and his fellow travelers considered to possess some strange deficiencies. All their requirements are provided by a network of sophisticated technologies however they don’t have much awareness and concerns for such technologies. The trivial, bucolic essence is altered when Odysseus emerges from out of nowhere, out of place and time.
Simmons (37) asserts that the third strand, which brings forth the Moravec entities that an inseparable interaction of man and machine is also referred to as the organic and the mechanical. They habit quite satisfactorily amidst the moons of Jupiter. Mahnmut and Orphu are given the responsibility of carrying out an investigation concerning quantum-shift activities as disclosed on and around Mons Olympos. Mars appeared to have been greatly transformed over the past two centuries which was rather considered as impossibility. It has been hundreds of years since the five moons consortium unleashed a spacecraft toward the campfire. They had to send someone to carryout the investigation of the oracle and the potential foreboding, Mahnmut, Orphu and the two others made it out of the three thousand gravity send off but only two made it out of the landing on mars. The author is not ambivalent about risk-taking. One reads the storyline with similar enchantment of watching a high wire act. Will he flutter or fall? Can he compose these three narrative threads into a comprehensible tapestry without the whole story hanging under its own weight?
The answer is yes. Of course he can. Dan Simmons, they guy came up with the ‘’Hyperion and ‘the fall of Hyperion’ He weaves it into the story and gives his trust to the reader to keep up. He develops each character in a way in which their uniqueness is clearly spelled out and therefore making it almost impossible to confuse one character with another.(Thompson, 1) The dauntless intelligence of the three pulse tales are balanced by the modest authority of the prose: or expressed in another manner, only the prose of easy competition could support the dauntless ideas at play here. Even though the author hasn’t done much in penetrating the reader’s psychological profile, his characters remain clear of the adage of epic space opera. As Hockenberry recapitulates, with an adulteration of fascination and contemptuous disinterest, a story told several times before. An example is the process adumbrated by Aphrodite to spy on and end the life of Athena.
Fourteen centuries ago, humanity was nearly brought to an end by a “Rubicon pandemic’’ Only a few over eight thousand Jews managed to survive and this was attributed to some uncertain genetic existence. Following this near extinction, a group of women who were able to manipulate their own DNA and also known as the post-humans, relinquished Earth but not until they had interfere with its environment. This occurred through the re-introduction of the endangered species such as; birds from the Miocene and Pleistocene epochs, mammoths and dinosaurs .They evacuated to celestial cities in the rings that now encompass the Earth leaving behind a steady and considerable population of explicitly one million humans. Each of whom is averaged to have a life expectancy of one century (Jonas, 2).
According to Simmons (37), the third story thread however which concerned a mission to mars as organized by the moravecs, resulted into machines which were previously sent into space exploring the outer solar system. Twenty five centuries ago, they separated from their human masters inhabiting the Jovian space. They have developed gradually, concerned of untimely over dangerous level of quantum activities or position shifting noted on the Martian surface. The extent of the activity results to a whole torn in the fabric of space time and is taken as a presage to the whole solar system. The combination of the three strands in this story line has amounted to a continuous flow in the themes which connect one strand to the other thereby forming an imaginary drive to the storyline making it be continuous.