Frost Lee Robert Essay
In his poetry, Frost Lee Robert who went under numerous incidences towards his success has used common themes in his poems that include isolation, the struggles of life and nature.
Robert Lee Frost was a purposely American poet in an age of experimental and internationalized art. He used innovative England idioms, settings and characters recalling the ancestry of the culture of America, to obtain a universal experience. Though Frost’s work is mainly related to the life and countryside of New England, and although he was a poet of conventional verse metrics and forms who remained persistently aloof from the rhythmical fashions and movements of his time, Robert is anything but a merely local or minor poet. The author of seeking and often dark thoughts on universal themes, Frost is a typically modern poet in his devotion to language as it is in reality spoken, in the mental complexity of his pictures, and in the measure to which his work is instilled with layers of irony and ambiguity.
Many people do not like or even fear poems due to the fact that it is sometime difficult to interpret them. This is comprehensible, particularly when bombarded by complicated terms like syntax, iambic pentameter and assonance. Poetry does not necessary have to be intimidating. Carefully reading the work of a masterful poet like Robert Frost can lead to a better appreciation and understanding of poetry in general.
Robert Lee Frost was born and grew in San Francisco on 1874, March 26. His father was from prerevolutionary New Hampshire stock and Maine but had hatred towards England due to the fact that the Civil War that it had given some support had robbed his own dad of employment in the economy of the cotton mill. When Robert's father graduated from the University of Harvard in the year 1872, he left the New England. He stopped in Lewistown, Pa., where he became a teacher and was married to another teacher, Isabelle M, a Scotswoman. They decided to move to San Francisco, where the elder Robert became a politician and an editor. Their first kid was named after the Southern hero Gen. R. E. Lee.
Frost had for a good time been a city boy, quite a proud Californian. Transplanted, he grew up being sensitive towards the New England's ways of speech, taciturn customs and characters. He also became a stern student thus graduated from Lawrence Secondary School as a class poet in the year 1892 and as a valedictoria (Jeffrey 54). He later enrolled at the College of Dartmouth but just left soon. He had become interested to Elinor White, a fellow valedictorian and a classmate, who was by then completing her education in college.
Frost enthused from one job to another, working at newspaper reporting, in mills and at teaching, all the while still writing poetry. In the year 1894 he released his first poem by the title "My Butterfly," to New York Independent. Delighted, he made two copies of a brochure of lyrics that were privately printed, one for himself and the other for his fiancée. He delivered Elinor White's copy in person but never found her response enough. Thinking that he had missed her, he tore up the copy he had made for himself and headed south up to the Dismal Swamp, even attempting suicide.
In the year 1912, about 40 and with very few poems published, Robert sold his piece of land and used an allowance from his grandparent to go to the New England and gamble the whole lot on poetry. The family came to settle on a land in Buckinghamshire, and Robert began to write. Pound E., the emigrant American poet, assisted him to get published in periodicals.
Robert published A Boy's Will in the year 1913, and it was successfully received. Though it contained some diction of the 19th-century, the rhythms and words are usually subtly simple and colloquial. Written in conservative blank verse and rhymed stanzas, the poems starts in gladness and end in perception, as Robert later asserted poems should(Jeffrey 56). They move throughout various moods that are subjective towards unpretentious revelations. Such poems as "Mowing," "Into My Own," and "A Tuft of Flowers" an preference toward solitude, meditation and nature, toward the attractiveness of fact, and to a New England uniqueness that recognizes a need for community and love.
North of Boston, 1914, that was also published in the New England, is more purposeful, made up mostly of blank verse dramatic narratives and monologues. "The Death of the Hired Man," soberly compassionate and suspenseful, with lyric waiting moments, has a lot to do with the common thoughtful in a matrimony than with death. "Mending Wall" is a satire of bantering that contrasts a custom-bound farmer and his fellow neighbor, an expressionless tease. In "After Apple-picking" the person who picks asks quizzically whether he is supposed to settle for being tired or increase his condition by identifying it with the sleepiness of autumn. "A Servant of Servants" and "Home Burial" dramatize correspondingly a hysteria bred of death and loneliness, and the uncertain sanity of a countryside drudge.
North of Boston brought the achievement of A Boy's Will, and the two books announced the two ways of Robert's best poetry, the narrative and the lyric. Although immediately recognized as a nature poet, Frost never idealized the nature. He addressed not only its attractiveness but also the harshness, anxiety and isolation; its England family had to endure. The uncommunicativeness of his poetry, nevertheless, is not basically that of a distant New Englander; it restrains incredible sexual forces and psychic, a suicidal and bent violent, and deep touching needs that intermittently flashed out in his personal life and poetry.
Robert's place in mythical tradition had also started to clarify. His job led to aspects of Hardy Thomas, and Ralph Emerson, Emily Dickinson, and Wendell Holmes, John Whittier, and James L., and to characteristics of Wordsworth, the English 18th-century landscape mediators, Latin idylls, and the John Donne and eclogues of Virgil and Theocritus. But Robert's ambiguity and irony, his colloquial and tone concreteness, his honesty and skepticism bespoke the modern. Of course, themes can be understood in different ways, and there are several themes in Frost’s poetry. Examples of the common themes in Robert’s poems are isolation, the struggles of life and nature.
Robert’s poems compact with human being in relation with the creation. Man’s environment as vied by Robert is quite unresponsive to man, neither benevolent nor hostile. Man is frail and alone as compared to the immensity of the world. Such a sight of “man on the world confronting the whole universe” is certainly linked with convinced themes in Robert’s poetry.
One of the main striking themes in Robert’s poetry is isolation of man from his world or his environment’s alienation. In Desert Places Robert writesthat the isolation includes him being unawares. Man is basically alone, as is borne out in Robert’s poetry. Robert is not very much disturbed by depicting the civilizing ethos of New England persons as with having to present them “bogged down in a resist with the basic problem of existence”. The New England of Robert reflects his awareness of “an agrarian community isolated inside an urbanized universe”. Man is alone in the landscape or in town in “Familiar with the nighttime”.
In “Home Burial”, the woman suffers from a dreadful sense of self-isolation, as well as separation from her environment. And, more than the material aloneness, man suffers from the lonesomeness within. He says that he has it in himself, so much near his home in order to scare himself with his own desert places.
An interest to the obstruction is the major theme in Robert’s poetry. Man is always trying and erecting to depose barriers-- between environment and man, between man and another man. To Robert, these obstacles are favorable to mutual respect and understanding. Frost insists on establishing these barriers rather than trying to tear them as in the recent trend. And he even constructs them wherever it is necessary.
Practically all of Robert’s poems portray the theme of man’s limitation. The world seems horrific and chaotic because human’s limited faculties can never understand its meaning. Walls, real and physical, invisible and mental, different man from the Nature. “Neither far Out Nor Deep In” shows human’s limitation pertaining to the mysterious world. “Ending by Woods on a snow-white Evening” presents the sense of an indefinite and impenetrable world. Robert’s men’s are aware of the gap that is between the actual and the ideal. The picker of the apple had embarked on his work with big hopes, but meets disappointment. Frost says that he had too much of the apple-picking and was overtired of the big harvest that he desired. In some poems, nevertheless, Robert indicates that a person can go over his limitations in his mind as in “Sand Dunes”.
Theme of death or extinction also goes through the chief themes of Robert. In a number of poems he indicates of “sleep” which is related to death. “Ice and Fire” is a remarkable poem on devastation by excess of hatred or desire (Jay 64). “After Apple Picking”, “Stopping by Woods on a Snowy Evening”, “An Old Man’s Winter Night”, all these poetry have a reference to decease. “Directive” is a poetry in which three of Robert’s most compulsive themes extinction, isolation and the ultimate limitations of human being are blended . Each life is revealed to be wretched since it wears away into bereavement. The poem shocks but it also consoles.
In most of Robert’s poems, the speaker experiences a process of self-innovation. The wood-cutter of the “Two Tramps in Mud Time” understands by the closing stages of the poem that he slices wood for love of occupation only but need and love should never be separated.
Theme of declaration is also present in some of Frost’s poems. Robert ultimately shows the need for a human being to make the nearly all of a situation. Aware of human’s limitations, he yet wishes that a man should seek knowledge and explore the truth. A person should know how to accept situations and his restrictions cheerfully.
In order to fully explain a situation or describe a feeling, Robert uses imagery to create convincing metaphors in his poems. One of the biggest examples where metaphor is used is in Robert’s poem “Nothing Gold Can Stay”.
He suggests effort and stoical will in the face of hardship as in “West Running Brook”. In the face of the riddle and mystery of life there is need for unwavering human performance. He said that he had many promises to keep and miles to travel before he slept.
Theme of love is the fundamental theme in the Frost’s poems. If there is anything that can assist a person to meet the challenges of this world, it is love. In a quite a number of Frost’s poems, the implication of love between a woman and a man, or pleasant love is shown. It is when affection and love fades off or breaks down that life becomes quite unbearable particularly for the lady in Frost’s poetry. The main themes as they have been discussed in the above essay have been expressed through some various devices. The symbolic meaning that is invested in particular recurring items like the snow, the woods and stars serve to bring the reader all the more great position of human in the Universe.
Robert was a professional manipulator of his own civic image, and was responsible for procreating many stereotypes. He was so successful at launching this image of himself and that that of his poetry such that even after he died, the three volumes of his bureaucrat biography occasioned a backlash and a scandal.